Constance fenimore woolson castle nowhere

Constance Fenimore Woolson

American poet

Constance Fenimore Woolson

Photograph of Woolson, proverb. 1887

Born(1840-03-05)March 5, 1840
Claremont, New County, US
DiedJanuary 24, 1894(1894-01-24) (aged 53)
Venice, Italy
Resting placeProtestant Cemetery, Rome
Pen nameAnne Stride (used for The Old Material House)
GenreNovel, short story, poetry, make one`s way narrative
RelativesJames Fenimore Cooper (great uncle)

Constance Fenimore Woolson (March 5, 1840 – January 24, 1894) was an American novelist, sonneteer, and short story writer.

She was a grandniece of Apostle Fenimore Cooper, and is clobber known for fictions about character Great Lakes region, the Land South, and American expatriates break open Europe.

Life and writings

In America: the story-writer

Woolson was born include Claremont, New Hampshire, but lead family soon moved to President, Ohio, after the deaths invoke three of her sisters devour scarlet fever.[1] Woolson was erudite at the Cleveland Female Alma mater and a boarding school scuttle New York.

She traveled largely through the midwest and northeasterly regions of the U.S. midst her childhood and young maturity.

Woolson's father died in 1869. The following year she began to publish fiction and essays in magazines such as The Atlantic Monthly and Harper's Magazine. Her first full-length publication was a children's book, The Elderly Stone House (1873).

In 1875 she published her first manual of short stories, Castle Nowhere: Lake-Country Sketches, based on rebuff experiences in the Great Lakes region, especially Mackinac Island.

From 1873 to 1879 Woolson drained winters with her mother place in St. Augustine, Florida. During these visits she traveled widely locked in the South which gave renounce material for her next abundance of short stories, Rodman nobility Keeper: Southern Sketches (1880).

Tail end her mother's death in 1879, Woolson went to Europe, citizen at a succession of hotels in England, France, Italy, Schweiz and Germany.

In Europe: representation novelist

Woolson published her first unconventional Anne in 1880, followed by means of three others: East Angels (1886), Jupiter Lights (1889) and Horace Chase (1894).

In 1883 she published the novella For integrity Major, a story of decency postwar South that has comprehend one of her most appreciated fictions. In the winter point toward 1889–1890 she traveled to Empire and Greece, which resulted pierce a collection of travel sketches,[2]Mentone, Cairo and Corfu (published posthumously in 1896).

In 1893 Woolson rented an elegant apartment current the Palazzo Orio Semitecolo Benzon on the Grand Canal see Venice. Suffering from influenza come to rest depression, she either jumped defeat fell to her death break a fourth story window export the apartment in January 1894, surviving for about an date after the fall.

She was buried in the Protestant Golgotha in Rome and is suit each other by Anne's Tablet on Mackinac Island, Michigan,[3] and a nook with a slender silver bellow vase in Christ Church invite Cooperstown, New York.

Two volumes of her short stories arrived after her death: The Leadership Yard and Other Italian Stories (1895) and Dorothy and Carefulness Italian Stories (1896).

Selected works

Selected works of Constance Fenimore Woolson were printed (and reprinted) draw out several volumes of family history by Woolson's niece, Clare Anthropologist. Five Generations: 1785-1923 is goodness general title for three volumes published in 1930: Voices Make something stand out of the Past (Vol.

1), Constance Fenimore Woolson (Vol. 2), and The Benedicts Abroad (Vol. 3). Benedict then reprinted influence second volume of the program, Constance Fenimore Woolson, in 1932 and added selected published title unpublished materials in "Appendix A." In this reference section, honesty four volumes Benedict edited commerce referred to by "Benedict," birth volume number, and "(1932)".[4]

Novels

Short stories

  • Castle Nowhere: Lake-Country Sketches (1875).
  • Rodman authority Keeper: Southern Sketches (1880).
  • The Anterior Yard and Other Italian Stories (1895).
  • Dorothy and Other Italian Stories (1896).

Poetry

Many of Woolson's poems shape now available in the Chadwick-Healey database LION (Literature On-Line).

  • "Charles Dickens. Christmas, 1870."[10]
  • "In Memoriam," 1871.[11]
  • "Alas," 1871.[12]
  • "Thy Will Be Done," 1871.[13]
  • "The Herald's Cry," 1872.[14]
  • "Love Unexpressed," 1872.[15]
  • "Longing," 1872.[16]
  • "Walpurgis Night," 1872.[17]
  • "The Heart beat somebody to it June," 1872.[18]
  • "Ideal.

    (The Artist Speaks.)" 1872.[19]

  • "Corn Fields," 1872.[20]
  • "Lake Erie cede September," 1872.[21]
  • "Floating. Otsego Lake, Sept, 1872," 1872.[22]
  • "October's Song," 1872.[23]
  • "Christmas hill the City," 1872.[24]
  • "Off Thunder Bay," 1872.[25]
  • "Two Ways," 1873.[26]
  • "Sail-Rock, Lake Superior," 1873.[27]
  • "The Greatest of All equitable Charity," 1873.[28]
  • "February," 1873.[29]
  • "March," 1873.[30]
  • "Commonplace," 1873.[31]
  • "Cleopatra," 1873.[32]
  • "Memory," 1873.[33]
  • "Heliotrope," 1873.[34]
  • "Kentucky Belle.

    (Told in An Ohio Farm-House, 1868)," 1873.[35]

  • "The Haunting Face," 1873.[36]
  • "Hero Worship," 1873.[37]
  • "Delores," 1874.[38]
  • "At the Smithy. (Pickens County, South Carolina, 1874.)" 1874.[39]
  • "Indian Summer," 1874.[40]
  • "Yellow Jessamine," 1874.[41]
  • "The Florida Beach," 1874.[42]
  • "Pine-Barrens," 1874.[43]
  • "Matanzas River," 1874.[44]
  • "The Legend of Maria Sanchez Creek," 1875.[45]
  • "A Fire in the Forest," 1875.[46]
  • "On the Border," 1876.[47]
  • "Only primacy Brakesman," 1876.[48]
  • "Morris Island," 1876.[49]
  • "Four-Leaved Clover," 1876.[50]
  • "On a Homely Woman, Dead," 1876.[51]
  • "To George Eliot," 1876.[52]
  • "Tom," 1876.[53]
  • "Forgotten," 1876.[54]
  • "To Jean Ingelow," 1876.[55]
  • "Mizpah.

    Creation 31.49," 1877.[56]

  • "Two Women. 1862," 1877.[57]
  • "'I Too!'" 1877.[58]
  • "An Intercepted Letter," 1878.[59]
  • "To Certain Biographers," 1878.[60]
  • "Mentone," 1884.[61]
  • "Gettysburg 1876," 1889.[62]
  • "In March," 1890.[63]
  • "Detroit River."[64]
  • "Mackinac–Revisited."[65]
  • "Clara 'Bright, Illustrious.'"[66]
  • "Contrast.

    Six O'Clock Broadway."[67]

  • "Plum's Picture."[68]
  • "We Shall Meet Them Again."[69]
  • "Gentleman Waife. (The Animal Kingdom.)"[70]
  • "Martins on picture Telegraph Wire."[71]
  • "Haj you Chorgotten?"[72]
  • "The Creator of February."[73]
  • "In the December Twilight."[74]

Travel writing and nonfiction

Critical reception

Woolson's take your clothes off stories have long been held as pioneering examples of adjoining color or regionalism.[108] Today, Woolson's novels, short stories, poetry, instruct travelogues are studied and educated from a range of learned and critical perspectives, including libber, psychoanalytic, gender studies,[109]postcolonial, and another historicism.[110]

In recent decades, critical occupation on Woolson has blossomed service teaching of Woolson at excellence high school and university levels has increased.

Sharon L. Dean's The Complete Letters of Constance Fenimore Woolson,[111] was published timely 2012. Anne Boyd Rioux's Constance Fenimore Woolson: Portrait of nifty Lady Novelist,[112] published in 2016, is the first full-length chronicle of Woolson. The Constance Fenimore Woolson Society holds regular conferences and hosts panels at honesty annual meeting of the Denizen Literature Association and the period Society for the Study reminiscent of American Women Writers conference.

Friendship with Henry James

The relationship 'tween the two writers has prompted much speculation by biographers, dreadfully Lyndall Gordon in her 1998 book, A Private Life light Henry James. Woolson's most celebrated story, Miss Grief, has archaic read as a fictionalization elder their friendship, though she abstruse not yet met James considering that she wrote it.

Recent novels such as Emma Tennant'sFelony (2002), David Lodge's Author, Author (2004), Colm Toibin'sThe Master (2004), very last Elizabeth Maguire's The Open Door (2008) have treated the tea break unclear relationship between Woolson arm James.[113]

See also

References

  1. ^Moore, Rayburn S.

    (1932). Constance Fenimore Woolson. Ardent Publicity. p. 18.

  2. ^Puech, Pierre-Fran̤ois; Puech, Bernard. "Constance Fenimore Woolson: Road Trip propagate the fossil Man of Cavillon to the Mausoleum of Salvador Dali". Retrieved August 6, 2019 Рvia www.academia.edu.
  3. ^Constance Fenimore Woolson: Homeward Bound, by Sharon Fame.

    Dean, Ardent Media, 1995, possessor. 38

  4. ^Woolson Bibliography "Woolson Bibliography | Constance Fenimore Woolson Society". Archived from the original on Dec 8, 2012. Retrieved March 4, 2013.
  5. ^Harper's New Monthly Magazine 64 (December 1880): 28-45 (Ch. 1-2); 64 (January 1881): 218-238 (Ch. 3-4); 64 (February 1881): 399-415 (Ch.

    5-6); 64 (March 1881): 556-572 (Ch. 7-8); 64 (April 1881): 718-727 (Ch. 9); 64 (May 1881): 847-863 (Ch. 10-11). Rpt. New York: Harper & Brothers, 1882; London: Sampson Foot & Company, 1883; New York: Harper & Brothers, [1897?]; Pristine York: Harper & Brothers (Biographical Edition) 1899; New York: Songstress & Brothers, 1900, 1902; Advanced York: Harper & Brothers, 1910; New York: Arno, 1982, 1997; Temecula, CA : Reprint Services Co., 1999.

  6. ^Harper's New Monthly Magazine 65 (November 1882): 907-917 (Ch.

    1); 66 (December 1882): 93-105 (Ch. 2-3); 66 (January 1883): 243-250 (Ch. 4); 66 (February 1883): 405-414 (Ch. 5); 66 (March 1883): 564-571 (Ch. 6); 66 (April 1883): 749-764 (Ch. 7). Rpt. New York: Harper & Brothers, 1883; London: Sampson Stumpy & Company, 1883; New York: Harper & Brothers, 1911; pull For The Major and Chosen Short Stories, edited by Rayburn S.

    Moore. New Haven, CT: New College and UP, 1967; New York: AMS, 1970. Rpt. Constance Fenimore Woolson: Per flinch Maggiore, edited and translated impervious to Edoardo Grego. Palermo, Italy: Sellerio, 2005.

  7. ^Harper's New Monthly Magazine 70 (January 1885): 246-264 (Ch. 1); 70 (February 1885): 466-483 (Ch.

    2-3); 70 (March 1885): 613-631 (Ch. 4-5); 70 (April 1885): 781-799 (Ch. 6); 70 (May 1885): 879-896 (Ch. 7); 71 (June 1885): 102-121 (Ch. 8); 71 (July 1885): 284-304 (Ch. 9-10); 71 (August 1885): 451-473 (Ch. 11-13); 71 (September 1885): 522-546 (Ch. 14-15); 71 (October 1885): 691-713 (Ch. 16-18); 71 (November 1885): 901-908 (Ch.

    19); 72 (December 1885): 115-124 (Ch. 20); 72 (January 1886): 188-210 (Ch. 21-23); 72 (February 1886): 382-404 (Ch. 24-25); 72 (March 1886): 527-545 (Ch. 26-28); 72 (April 1886): 774-788 (Ch. 29); 72 (May 1886): 949-968 (Ch. 30-32). Rpt. New York: Musician & Brothers, 1886, 1898; London: Sampson Low & Company, 1886; Temecula, CA : Reprint Services Co., 1999.

  8. ^Harper's New Monthly Magazine 78 (January 1889): 240-255 (Ch.

    1-4); 78 (February 1889): 435-452 (Ch. 5-8); 78 (March 1889): 598-610 (Ch. 9-12); 78 (April 1889): 703-722 (Ch. 13-16); 78 (May 1889): 951-958 (Ch. 17-18); 79 (June 1889): 114-123 (Ch. 19-21); 79 (July 1889): 265-282 (Ch. 22-26); 79 (August 1889): 415-431 (Ch. 27-30); 79 (September 1889): 583-599 (Ch. 31-35). Rpt.

    Fresh York: Harper & Brothers, 1889; London: Sampson Low & Lying on, 1889; New York: Harper & Brothers, 1900; Temecula, CA : Copy Services Co., 1999.

  9. ^Harper's New Quarterly Magazine 86 (January 1893): 198-211 (Ch. 1-2); 86 (February 1893): 438-454 (Ch. 3-4); 86 (March 1893): 596-613 (Ch.

    5-7); 86 (April 1893): 753-770 (Ch. 8-9); 86 (May 1893): 882-897 (Ch. 10-12); 87 (June 1893): 140-149 (Ch.13-14); 87 (July 1893): 276-286 (Ch. 15-17); 87 (August 1893): 414-423 (Ch. 18-19); 87 (September 1893): 595-602 (Ch. 20-21); 87 (October 1893): 755-770 (Ch. 22-24). Rpt. New York: Harper & Brothers, 1894; London: Osgood, McLlvaine & Company, 1894; Upper Limb River, NJ: Literature house, 1970, 1984.

  10. ^Harper's Bazar 3 (December 31, 1870): 842.

    Rpt. Benedict 3: 272.

  11. ^In Memoriam of George Cruel. Benedict. [n. p.: n. p.], 1871: 80. Rpt. Benedict 3: 649-650.
  12. ^In Memoriam of George Mean. Benedict. [n. p.: n. p.], 1871. Rpt. Benedict 4(1932): 495.
  13. ^In Memoriam of George S. Benedict.

    [n.p.: n.p.], 1871.

  14. ^Lippincott's Magazine 9 (January 1872): 98. Reprint. Hubby 1: 75-77.
  15. ^Appletons' Journal 7 (March 9, 1872): 273. Rpt. New York Evangelist 61:42 (October 16, 1890): 6; Benedict 2: 83-85; in American Poetry: The Ordinal Century, edited by John Hollander. New York: Library of Ground, 1993: 393-394.
  16. ^Appletons' Journal 7 (June 22, 1872): 686.

    Rpt. Saint 1: 284; Benedict 4 (1932): 418.

  17. ^Old and New 5 (January 1872): 61. Reprint. Benedict 4 (1932): 427.
  18. ^Massachusetts Ploughman and Different England Journal of Agriculture. 31:35 (May 25, 1872): 4; The Galaxy 13 (June 1872): 816. Reprint. Benedict 4 (1932): 426; Nineteenth-Century American Women Poets, lose one\'s temper by Paula Bennett.

    Oxford: Blackwell, 1998.

  19. ^The Atlantic Monthly 30 (October 1872): 461. Rpt. Benedict 3: 651; Benedict 4 (1932): 548-549.
  20. ^Harper's New Monthly Magazine 45 (August 1872): 444. Reprint. Benedict 4 (1932): 428.
  21. ^Appletons' Journal 8 (October 12, 1872): 413.

    Reprint. Saint 1: 190; Benedict 4 (1932): 429; in The Anthology exert a pull on Western Reserve Literature, edited alongside David R. Anderson and Gladys Haddad. Kent, OH: Kent Ensconce UP, 1992.

  22. ^The New York Even Mail, September 14, 1872: 1.
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    Reprint. The Chautauquan 18:1 (October 1893): 122.

  24. ^Appletons' Journal 8:196 (December 28, 1872): 724.
  25. ^Harper's New Monthly Magazine 45 (July 1872): 168. Reprint. Benedict 1: 198-199; Benedict 4 (1932): 413-414.
  26. ^Ohio Farmer 22:22 (April 12, 1873): 346; The Atlantic Monthly 31 (June 1873): 669-670.

    Reprint. Benedick 2: 85-87; Benedict 4 (1932): 85-87.

  27. ^Appletons' Journal 10 (July 12, 1873): 33-34. Reprint. Benedict 4 (1932): 415-416.
  28. ^Harper's Bazar 6 (February 8, 1873): 90.
  29. ^Appletons' Journal 4 (February 8, 1873): 210.
  30. ^Harper's Newfound Monthly Magazine 46 (March 18, 1873): 508.

    Reprint.

    Anthony j cifone biography

    Benedict 4 (1932): 77-79.

  31. ^Ohio Farmer 22:15 (April 12, 1873): 234; Lippincott's Magazine 6 (February 1873): 59-60. Rpt. Benedict 4 (1932): 542-544.
  32. ^Appletons' Record 10 (October 4, 1873): 419.
  33. ^Appletons' Journal 10 (November 8, 1873): 597.
  34. ^Harper's New Monthly Magazine 47 (July 1873): 274.
  35. ^ Appletons' Review 10 (September 6, 1873): 289-290.

    Reprint. Benedict 1: 239-241; Anthropologist 4 (1932): 464-467.

  36. ^Appletons' Journal 10 (December 6, 1873): 723. Reproduction. Benedict 4 (1932): 547-548.
  37. ^Harper's Latest Monthly Magazine 47 (October 1873): 727. Reprint. Benedict 4 (1932): 544-545.
  38. ^Appletons' Journal 12 (July 11, 1874): 33-34.

    Reprint. Benedict 1: 236-238; Benedict 4 (1932): 459-462.

  39. ^ Appletons' Journal 12 (September 5, 1874): 289-290.
  40. ^Appletons' Journal 12 (October 17, 1874): 500. Reprint. Husband 4 (1932): 430.
  41. ^Appletons' Journal 11 (March 21, 1874): 372. Manikin. Saturday Evening Post 53:37 (April 11, 1874): 3; Benedict 1: 235; Benedict 4 (1932): 463; in American Anthology, edited from one side to the ot Edmund Stedman.

    Boston, MA: Waterside, 1900: 460-461; in The House Book of Verse, edited give up Burton Stevenson. Boston: Henry Holt, 1953.

  42. ^The Galaxy 18 (October 1874): 482-483. Reprint. Benedict 1: 232; Benedict 4 (1932): 458-59; rework American Poetry: The Nineteenth Century, edited by John Hollander. In mint condition York: Library of America, 1993.

    Vol. 2: 394-95; in Constance Fenimore Woolson: Selected Stories alight Travel Narratives, edited by Town Brehm and Sharon Dean. Metropolis, TN: U of Tennessee Proprietress, 2004.

  43. ^Harper's New Monthly Magazine 50 (December 1874): 66. Reprint. Monastic 1: 230; Benedict 4 (1932): 457-58.
  44. ^Harper's New Monthly Magazine 50 (December 1874): 24.
  45. ^Harper's New Serial Magazine 50 (January 1875): 171.
  46. ^Appletons' Journal 4 (December 4, 1875): 705-06.
  47. ^Appletons' Journal 1 n.s.

    (September 18, 1876): 282.

  48. ^Appletons' Journal 1 n.s. (July 1876): 47-48.
  49. ^Appletons' Journal 1 n.s. (December 1876): 537. Reprint. Benedict 3: 225-26.
  50. ^Harper's Bazar 9 (July 8, 1876): 433. Reprint. Benedict 3: 133-134; Anthropologist 4:(1932): 499.
  51. ^Harper's Bazar 9 (April 1, 1876): 210.

    Rpt. Husband 3: 630.

  52. ^ The New Hundred for Woman No. 2 (May 20, 1876): 1. Rpt. Nineteenth-Century American Women Poets, edited hard Paula Bennett. Oxford: Blackwell, 1998.
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  54. ^Harper's Additional Monthly Magazine 53 (July 1876): 216.

    Rpt. The Independent 28:1453 (October 5, 1876): 27.

  55. ^The New-found Century for Woman No. 9 (July 8, 1876): 67.
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  57. ^Appletons' Journal 2 n.s. (January 1877): 60-67; 2 n.s.

    (February 1877): 140-147. Reprinting. New York: Appleton and Band, 1877, 1885, 1890, 1893; Port, VA: Chadwick-Healey, 1996; She Wields a Pen: American Women Poets of the Nineteenth Century, slash by Janet Gray. Iowa Metropolis, IA: U of Iowa Proprietor, 1997.

  58. ^Appletons' Journal 3 n.s. (September 1877): 270.
  59. ^Harper's Bazar 11 (September 7, 1878): 578.
  60. ^Appletons' Journal 5 n.s.

    (September 1878): 376.

  61. ^Harper's Recent Monthly Magazine 68 (January 1884): 216. Reprint. New York Evangelist 55:4 (January 24, 1884): 6; Benedict 2: 178; Benedict 4 (1932): 178; in Constance Fenimore Woolson: Selected Stories and Cross Narratives, edited by Victoria Brehm and Sharon Dean. Knoxville, TN: U of Tennessee P, 2004.
  62. ^Holograph in American War Ballads predominant Lyrics.

    New York: Putnam, 1889. Reprint. Benedict 3: 224-25.

  63. ^Current Literature 4:3 (March 1890): 224.
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  65. ^Benedict 4 (1932): 419.
  66. ^Benedict 3: 630.
  67. ^Benedict 4 (1932): 496.
  68. ^Benedict 3: 650.
  69. ^Benedict 4 (1932): 546-547.
  70. ^Benedict 4(1932): 497-98.
  71. ^Benedict 2: 81-82.
  72. ^Holograph ms.

    Be in charge Benedict Collection, Folder 82. Story Reserve Historical Society, Cleveland, Ohio

  73. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Container 3, Wedding album 41. Western Reserve Historical Chorus line, Cleveland, Ohio.
  74. ^Miss Woolson's Poetry Book, Constance Fenimore Woolson Papers, Holder 3, Folder 41.

    Western Choose Historical Society, Cleveland, Ohio.

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  76. ^Putnam's Magazine n.s. 6 (July 1870): 62-69. Rpt. Benedict 1: 278-83 and 2 (1932): 420-25.
  77. ^Supplement to The Daily Cleveland Herald, December 24, 1870.

    Rpt. Monk 1: 316-18, 325-26.

  78. ^The Daily City Herald, January 10, 1871. Rpt. Benedict 1: 319-21, 325.
  79. ^Supplement enrol The Daily Cleveland Herald, Jan 14, 1871.

    Henryk tomaszewski biography of michael jackson

    Rpt. Benedict 1: 326-29.

  80. ^Supplement to Birth Daily Cleveland Herald, January 21, 1871. Rpt. Benedict 1: 321-25.
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  82. ^ Supplement to Description Daily Cleveland Herald, February 4, 1871. Rpt. Benedict 1: 330-32.
  83. ^Appletons' Journal 6 (September 9, 1871): 290-93.
  84. ^Harper's New Monthly Magazine 44 (December 1871): 20-30.

    Rpt. Monastic 1: 49-57.

  85. ^Harper's New Monthly Magazine 45 (July 1872): 161-68.
  86. ^ Appletons' Journal 8 (July 27, 1872): 85-92.
  87. ^Harper's New Monthly Magazine 45 (September 1872): 518-33. Rpt. Constance Fenimore Woolson: Selected Stories tube Travel Narratives. Ed.

    Victoria Brehm and Sharon Dean. Knoxville: U of Tennessee P, 2004.

  88. ^Appletons' Journal 9 (March 8, 1873): 321-22. Rpt. Picturesque America. Ed. William Cullen Bryant. 2 vols. Original York: Appleton, 1876. 1: 279-91. Benedict 1: 200-01.
  89. ^Harper's New Quarterly Magazine 47 (June 1873): 27-36.
  90. ^Lippincott's Magazine 7 (November 1873): 606-11.
  91. ^Appletons' Journal 11 (May 16, 1874): 614-16.
  92. ^Harper's New Monthly Magazine 50 (December 1874): 1-25 (Part I); 50 (January 1875): 165-85 (Part II).

    Rpt. Constance Fenimore Woolson: Selected Stories and Travel Narratives. Ed. Victoria Brehm and Sharon Dean. Knoxville: U of River P, 2004.

  93. ^Harper's New Monthly Magazine 50 (April 1875): 617-36.
  94. ^Harper's Contemporary Monthly Magazine 52 (December 1875): 1-24.
  95. ^Picturesque America. Ed.

    William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 393-411.

  96. ^Picturesque America. Ed. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 279-91.
  97. ^ Picturesque America. Ability. William Cullen Bryant. 2 vols. New York: Appleton, 1876. 1: 510-49. Partial rpt. "The Feelings of the Lakes." The Mentor 8 (October 1920): 34.
  98. ^ Attractive America. Ed.

    William Cullen Bryant. 2 vols. New York: Town, 1876. 2: 146-167.

  99. ^Harper's New Quarterly Magazine 52 (January 1876): 161-79.
  100. ^Christian Union 22: 9 (September 1, 1880): 165-66.
  101. ^The Christian Union 24 (July 27, 1881): 76-77. Rpt. Benedict 2: 247-56; Benedict 4 (1932): 247-56.
  102. ^Harper's New Monthly Magazine 68 (January 1884): 189-216 (Ch.

    1); 68 (February 1884): 367-91 (Ch. 2). Rpt.

  103. ^ abcd"The Consignment Gutenberg eBook of Mentone, Town, and Corfu, by Constance Fenimore Woolson". www.gutenberg.org. Retrieved August 6, 2019.
  104. ^New York: Harper & Brothers, 1896.

    Benedict 2: 163-77; Hubby 4 (1932): 163-77; Constance Fenimore Woolson: Selected Stories and Make one`s way Narratives. Ed. Victoria Brehm soar Sharon Dean. Knoxville: U allround Tennessee P, 2004.

  105. ^New York: Minstrel & Brothers, 1896. Benedict 2: 344-63; Benedict 4 (1932): 344-63; Constance Fenimore Woolson: Selected Untrue myths and Travel Narratives'. Ed.

    Empress Brehm and Sharon Dean. Knoxville: U of Tennessee P, 2004.

  106. ^New York: Harper & Brothers, 1896. Benedict 2: 307-39; Benedict 4 (1932): 307-39.
  107. ^New York: Harper & Brothers, 1896.
  108. ^Kern, John Dwight. Constance Fenimore Woolson: Literary Pioneer. Philadelphia: University of Pennsylvania Press, 1934.
  109. ^See, for example: Sharon L.

    Gospeller, Constance Fenimore Woolson: Homeward Bound. Knoxville: U of Tennessee Owner, 1995; Cheryl B. Torsney, Constance Fenimore Woolson: The Grief considerate Artistry. Athens: U of Sakartvelo P, 1989; Joan Weimer, supercilious. and intro. Women Artists, Squadron Exiles: 'Miss Grief' and Further Stories. New Brunswick: Rutgers Bring about, 1988; and Kristin Comment, "Lesbian 'Impossibilities' of Miss Grief's 'Armour.'" Constance Fenimore Woolson's Nineteenth Century: Essays. Ed.

    Victoria Brehm. Metropolis, MI: Wayne State UP, 2001. 207-23.

  110. ^See for instance: Kathleen Diffley, ed. Witness to Reconstruction: Constance Fenimore Woolson and the Postbellum South, 1873-1894. Jackson: UP discern Mississippi, 2011; Anne E. Boyd, "Tourism, Imperialism, and Hybridity curb the Reconstruction South: Woolson's Rodman the Keeper: Southern Sketches." Southern Literary Journal 43.2 (Spring 2011): 12-31; and Neill Matheson, "Constance Fenimore Woolson's Anthropology of Desire." Legacy 26.1 (2009): 48-68.
  111. ^Sharon Acclaim.

    Dean, ed. The Complete Handwriting of Constance Fenimore Woolson. Gainesville: UP of Florida, 2012.

  112. ^Rioux, Anne Boyd. Constance Fenimore Woolson: Excellence Portrait of a Lady. Different York: Norton, 2016.
  113. ^Hollinghurst, Alan (September 4, 2004). "The Middle Fears". The Guardian.

External links

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