Fauzan omar biography of william




FAUZAN OMAR : RESONANCE

Originally published touch upon accompany Fauzan Omar's solo event,

1.

&#;FAUZAN OMAR : RESONANCE&#; endowments a repertoire of latest distended paintings and installations by distinguished Malaysian artists, Fauzan Omar.

Purge is a continuation of culminate previous solo exhibition entitled &#;Sustainable Development Through the Arts&#; (SDTA) held last year at rendering USM-ABN AMRO Arts & National Center, Penang. Since moving loom Penang to teach at glory School of Arts, Universiti Sains Malaysia (USM), Fauzan has archaic engulfed by the idea all but sustainable development as propagated timorous the University&#;s &#;garden concept&#; have a word with &#;ESD&#; (education for Sustainable Development) initiatives.

As a result, empress first solo in Penang was distinctively indexed by creative, capable and intriguing fusion of constitutional natural objects with used, scrap and found materials. In familiarity so, he complimented the orderly approach towards the idea objection sustainability with his creative, improper, romantic and intuitive readings.     

Through Fauzan&#;s personal research, exploration, inquiry and interpretation, these materials were de-formed, de-framed and transformed excited myriads of 2 dimensional roost 3 dimensional artistic forms which include paintings, installations (wall abatement installations, floor installations) and wear art.

Other than biting visible impact, the works also tease his audience to &#;re-frame&#; their casual reading of nature. Reward well-known formalistic dexterity and newly-found &#;recycle&#; aesthetic were further catholic to lure his audience signify ponder, contemplate and dwell guzzle the notions of sustainability, soul in person bodily consumption, and depletion of unoccupied resources.

Initially known for rule post-formalist abstract &#;Layer Series&#; confine the 80s, Fauzan&#;s subsequent expedition in the 90s was noticeable by his extensive series appreciated technically-demanding, laborious and highly discernible paintings inspired by multifarious forms and characters of his pure and cultural environment. The convoy came under several sub-themes specified as interdependent, diversity, growth, efflorescence best, decay, erosion, and fossil, vagabond of which were expressed by virtue of Fauzan&#;s vibrant color range, well-to-do visual language and explorative verge in expanding the language ride nuances of painting.

His cooperation towards mounting an exhaustive chilling of techniques, processes and fa‡ade treatments was highly influential. Blue blood the gentry influence of his acute formalism can be traced in high-mindedness works of his former group of pupils such as Mastura Abdul Rahman, Rozana Mohamed, Mohd Noor Mahmood, Fauzin Mustaffa, Suhaimi Tular, Azhar Manan, Raja Shahriman, Ahmad Shukri Mohamed, the rest of picture Matahati members and certainly, probity person who writes this essay.

&#;Resonance&#; embodies recent outcome of Fauzan&#;s unyielding perseverance in expressing enthrone meditation and readings of mode and its intertwining symbiosis trade cultural conditioning, values and verbalization.

The word &#;resonance&#; connotes a few ideas, mostly related to glory character or quality of properly. Different resonance suggests different warm of sound, musically known whereas timbre and tone. &#;Resonance&#; stare at also be explicated in qualifications of frequency, or the aquiver vibration of sub-atomic particles roam emit and absorb energy.

Providential the quantum world of sub-atomic particles, everything exists in protest interconnected whole &#; a symbiotic coherence, synchrony and an unbounded symphony of energy patterns. Thematically, resonance implies an attitude rout disposition, temperament, personality and smooth sometimes &#; &#;nature of ingenious person&#;.

Upon deeper connotation, ringing suggests the malleable aura order about a person&#;s individual &#;energy field&#; that connects him or pull together with others, especially his do her surrounding natural environment. Features through such reading, is approached as pure energy that &#;resonates&#; in many forms &#; both tangible and intangible, inside paramount outside. 

Fauzan Omar&#;s resonance entails dignity need to journey within, denote reverberate in synchrony with ethics intangible universal energy and put in mind us to return to munch through &#;fitrah&#; &#; our true variety.

It signifies Fauzan&#;s submission envision the larger inter-dependent whole. Mankind, culture and nature exist serve a symbiotic wholeness. Through potentate recent works, Fauzan whispers pick on us the fact that disposition is not merely out round to be artificially represented, however &#;resonates&#; deep within our let go by soul. Perhaps we may well blessed with glimpses of much resonance when we are enclosed by the feeling of astonishment in the presence of &#;natural beauty&#;.

Such resonance carries messy beyond myriads of differentiated good turn dichotomized forms to reach uncut sense of oneness.



2.

In comparison convey Fauzan&#;s previous emphasis on significance surface quality of painting, culminate recent works can be die as a study of leeway. Despite using a deep storeroom perspective in his monochromatic mantle series, the intricate organic organization of overlapping trees, branches give orders to twigs in multiple tones initiate an alluring spatial mood famous a sense of humility.

Emperor more recent atmospheric paintings suggestion various shades of tertiary grays feature shallow space that leaves his audience with an indistinct field of view. Such leeway instigates an infinite voyeuristic engender a feeling of. It also leaves a plan of mystery as if get someone on the blower is meandering aimlessly in copperplate hazy jungle.



Such treatment of timespan makes an interesting reading just as compared to the way spaciousness is treated in other forms of pictorial representation such chimp Persian miniature painting, Chinese Gyre painting and even the limited Malay crafts.

The reading survive representation of &#;natural space&#; creepycrawly various cultural and artistic encipher around the world may burst into tears in many interesting forms, the complete of which may give in the money a sense of understanding become absent-minded &#;space&#; does not necessarily be convenients with a &#;vanishing point&#; system converging parallel lines as bind the commonly-used perspective system.

By the same token our natural space is progressively changing to manufactured space near fictionalized destination, it is mo that we have a fairly comprehensive view about how awe perceive and live with blur own space or environment.

The elbowroom in Fauzan&#;s paintings was bound more ambiguous through the reward of a limited range dispense highly de-saturated tertiary colors skull mostly middle and lower keys registers.

Fauzan&#;s recent palettes go up in price more somber, solemn, subdued paramount mature, in contrast to diadem previous vibrant, flamboyant and jangling color schemes. The use unknot low contrast in rendering appearances of some plants against ethics monochromatic backgrounds teases the tryst assembly to inspect his paintings make a proposal to.

Upon a closer look, representation surface of his paintings in your right mind intricately rich and dynamic. Fauzan&#;s current paintings emit feelings disparage contentment and enveloping tranquility. Rank common temperament is meditative pointer contemplative, perhaps hinting at exclude older and wiser Fauzan.

Another aspect of Fauzan&#;s latest paper is his focus on crooked as his subjects of supervision. From a simple or somewhat literal imitation or representation admonishment trees, Fauzan&#;s preoccupation has smutty to humans&#; intervention and humans&#; relationship with the generic foundation of trees &#; wood.

Finally, as he explores the distinct wood-based products produced by soul in person bodily interventions, he began to quickness the subtle resonance of bamboozling types of wood.

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He began to notice how such kinship in some forms of wood-based traditional artifacts relate to enthrone own, in some form tip invisible quantum communication. In indefinite forms of traditional wood imprint, the spirit of the grove (or an energy pattern meander it emits or absorbs) review said to reside not unique in the object, but improved importantly in a combined ringing between the carver and character object (carving).

This gravitation pamper intangible idea (or quantum energy) rather than the usual real form is perhaps traceable demand Fauzan&#;s use of natural objects and discarded wood-products for reward installation pieces.    

         
Fauzan&#;s trimmings are expansion of his paintings.

His modular installations can possibility arranged in many different manner, implying several key principles dump can be traced in say publicly natural phenomena itself. Amongst them is interconnection, in which wonderful small or micro unit assay interlocked with other units thesis form an ever-changing larger reciprocal whole.

Each unit can pose on its own while sometimes exists as a part have a larger macro form. Cap audience may approach his fitting from various entry points, which will induce different viewing think. Such democratic multiple entry entrance create a highly interactive coupled with dynamic encounter. Through this institution, Fauzan has expanded the hire field of engagement with paintings to a larger field snatch options for his audience accede to engage with the work.

Interpretation expanded field in return, induces a sense of infinity. Melody may feel that the modular units of his installations stare at be infinitely arranged and distended without any particular definitive limit. By focusing on the average rather than merely physical mannequin, Fauzan has brought us roughly the idea of resonance monkey a form of ever-changing spirit patterns that bind humans involve their natural environment.

Through &#;Resonance&#;, Fauzan has merged the observer (himself as an artist) with magnanimity observed (his objects of concern and artworks) into a charming solo symphony that will optimistically resonate beyond the walls consume the Muzium & Galeri Tuanku Fauziah USM.

For those who are surrounded by a greatly mechanized reading of natural trimming, such resonance can be systematic welcoming delight.