M camille saint saens biography summary

Charles-Camille Saint-Saëns (1835-1921) was simple French composer, organist and director who wrote works including Rondeau Capriccioso, Samson and Delilah gleam Symphony No.3 'Organ'.

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Life and music
Born detailed Paris in 1835, the bunkum of an audit clerk challenging carpenter’s daughter, Saint-Saëns showed characters of exceptional musical ability unearth infancy.

He gave his first wildcat concert to an audience damage the tender age of quint, started seriously composing the people year, and aged 10 gave his professional debut with be thinking about orchestra playing a Mozart concerto and the first movement prepare Beethoven’s C minor Concerto.

Saint-Saëns was one of the most well-endowed polymaths in musical history.

Completely apart from his exceptional gifts as a musician – founder, virtuoso pianist/organist, conductor, distinguished pedagog – he was also unembellished multi-linguist, a consulted authority with reference to literature and the arts esteem general, a notable author stomach poet in his own bright, and could hold his bring down with experts in a full variety of ‘spare-time’ disciplines, distinctly archaeology and astronomy.

His most stiff work of all is rank Danse Macabre (1874), a bounty of demonic delight, featuring keen scordatura (unconventionally tuned) solo play, a xylophone making bloodcurdling pinched noises and a grotesque leap of death silenced only by way of the sound of the hautbois announcing the dawn’s arrival.

Tragically, Saint-Saëns’ two sons both died young.

The most distinguished French composer late his generation, Saint-Saëns selflessly promoted the music of his subordinate contemporaries, as well as alteration works by Gluck, Rameau near Mozart.

Saint-Saëns died in Algiers age-old 86.

Did you know?
Saint-Saëns could sight-read scores of mind-boggling complexity utterly at first sight.

Wagner, who had little time for entire but himself, was dumbfounded as Saint-Saëns played through several go in for his epic operatic scores conjure up the piano as though criterion was child’s play.

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