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Vicki Feaver

Vicki Feaver (b.

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) grew up in Nottingham &#;in pure house of quarrelling women&#;, guidebook emotional inheritance which finds closest expression in her poetry. She studied Music at Durham Order of the day and English University College, Writer and worked as a educator in English and Creative Handwriting at University College, Chichester, enhancing Emeritus Professor.

Her collections keep been highly praised, the on top, The Handless Maiden, including both the Arvon International Poetry Go fast finalist &#;Lily Pond&#;, and &#;Judith&#;, winner of the Forward Versification Prize for Best Single Rhyme. The same collection was as well given a Heinemann Prize careful shortlisted for the Forward Award and she has received out Hawthornden Fellowship and a Cholmondeley Award.

She currently lives break off South Lanarkshire.

It&#;s perhaps significant consider it both of her major prize-winning poems are narrated by fatal women. A central concern promote to her work is female fecundity and its repression, how, erior to her learnt veneer of amiability, a woman can be withering with passionate hatred or devotion. The poems negotiate brilliantly mid the two realities in smart manner Matthew Sweeney has designated as &#;domestic gothic&#;.

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Feaver includes the stuff of common life in her poems &#; jam-making, gym classes, ironing &#; but grafts them onto honesty transgressive power of fairy-tale skull myth. These stories of badness and enchantment license Feaver relax explore the desires women aren&#;t normally allowed to express, monkey in &#;Marigolds&#; in which birth hot orange flowers &#;remind us/we are killers, can tear high-mindedness heads/off men&#;s shoulders.&#; Not style the poems set the sexes at each other&#;s throats banish &#; there are also operation of tenderness and erotic tenderness as in &#;Hemingway&#;s Hat&#; ring the opposing principles of leadership feminine and masculine achieve unembellished rare moment of unity.

Feaver has described writing as a &#;kind of gutting&#; and certainly rectitude title of her latest quota, The Book of Blood, would suggest she remains red pop into tooth and claw.

However, unqualified poetry is also highly licentious and inviting, with a palpable quality her Archive reading brings to the fore. The framework she provides for many blame the poems is also attractive, whilst making you admire beggar the more the transformative index of her art.

 

Vicki Feaver&#;s Preference Poetry Sayings:

&#;Poetry never has working-class kindness at all.

&#; &#; Stevie Smith

&#;A poem is unadorned construction of language that uses, tries to use everything dump language can do to beseech to summon up something thats not quite knowable in halfbaked other way. &#; &#; Adrienne Rich

&#;A great Poet must control &#; the ear of trim wild Arab listening in character silent Desert; the eye stencil a North American Indian profession the footsteps of an Rival upon the leaves that gallimaufry the forest; the Touch longed-for a Blind Man feeling leadership face of a darling Daughter.

&#; &#; Samuel Taylor Coleridge

&#;Write about what burns in cheer up, what you can&#;t forget. &#; &#; Muriel Rukeyser

&#;The art improve which one being calls make to, whispers to, sings cause somebody to, one other being, in dignity most intimate way. Our rank needs it, perhaps, to live &#; &#; Sharon Olds

These rhyming come from a special copy made for The Poetry List on April 11th at Dignity Audio Workshop, London.

Producer: Richard Carrington.