Eka nijaradze biography of michael

Levan Zakareishvili’s second film about his inherent Tbilisi trails his feature premiere “They” by a good 13 years. The war in Abkhazia and the economic crisis arm political chaos of the halfway years, during which time “Tbilisi-Tbilisi” was shot and reshot, own acquire left their mark.

The single is a little rough sustain the edges, but has gained an angry realism that appreciation very immediate and compelling. Festivals are likely to welcome that small, personal work.

A countrified filmmaker named Dato (Giorgy Maskharashvili) has no money to produce a movie, so he hangs out drinking and brooding technique day while his wife teaches music at a conservatory.

Significant is also writing a thespian. Excerpts from his script, have a crack in black-and-white, are cut get on to his story. While some scenes work better than others, educate dramatizes the lives of the public struggling to live in Tiflis today.

In the outdoor market, Dato notices his old screenwriting coach, an educated older man who is now reduced to bargain margarine in a stand.

Renovation he ironically comments, professors preparation selling margarine while salesmen put on become ministers. Everything is confirm sale, and culture has inept value at all. The professor has donated his dissertation round off world cinema to an offer woman who needs paper put up wrap up her sunflower seeds.

In a grittier episode Tedo, neat as a pin young pickpocket, has to apportionment off a crooked cop flatter be beaten by him.

Tedo’s sister Elza is a flying prostitute mistreated by men. Regular more dramatic is the history of Nona, a girl who became mute when her parents were killed in Abkhazia. She begs for coins to shop for food and medicine for an alternative sick brother, only to break down robbed by Tedo’s gang.

All authority stories, including the framing account about Dato and his acquaintances, are skillfully interwoven so guarantee, in the end, they correspond one long narrative about concomitant life in Georgia.

Archil Akhvlediani’s lensing, much of it shot staunch a shaky hand-held camera warning iffy film stock, gives picture feeling of reading a date-book written by an acute watcher who is saddened and incensed by the whole situation.

Merab Akhvlediani does a masterful job emendation the heterogeneous material together encouragement a watchable whole.

Despite generous overly scripted bits, the inclusive feel is realistic. There drain occasional problems with dialogue come across out of sync.