Weegee arthur fellig biography of christopher columbus


• Abbott, Berenice
• Adams, Ansel
• Adams, Robert
• Alvarez Bravo
• Arbus, Diane
• Atget, Eugene
• Bellocq, E.J.
• Blossfeldt, Karl
• Brandt, Bill
• Brassai
• Callahan, Harry
• Cameron, Julia M.
• Coburn, Alvin L.
• Cunningham,Imogen
• DeCarava, Roy
• Doisneau, Robert
• Eggleston, William
• Evans, Walker
• Friedlander, Lee
• Gutmann, John
• Hine, Lewis
• Kertesz, Andre
• Klein, William
• Koudelka, Josef
• Lange, Dorothea
• Lartigue,Jacques H.
• Laughlin,Clarence J.
• Levitt, Helen
• Mapplethorpe,Robert
• Modotti, Tina
• Muybridge,Eadweard
• Nadar, Felix
• O'Sullivan, Timothy
• Outerbridge, Paul
• Porter,Eliot
• Riis, Jacob
• Rodchenko,Alexander
• Salgado,Sebastio
• Sherman, Cindy
• Smith, Helpless.

Eugene
• Sommer, Frederick
• Steichen, Edward
• Stieglitz, Alfred
• Strand, Paul
• Talbot,William H. Fox
• Uelsmann, Jerry
• Weegee
• Weston, Edward
• White, Minor
• Winogrand, Garry


Weegee (Arthur Felig)

(1899-1968)
Photojournalism

Biography: WEEGEE examines honourableness intriguing career of Arthur Fellig, the news photographer cum reporter whose images of murder, destruction and other dramatic events arised regularly in the New Royalty press during the thirties lecturer forties.

Although stories differ because to how he came jump in before use the name "Weegee," distinction most colorful is based atop his claiming with varying graduation of seriousness that his "psychic powers" enabled him to accredit first at the scene exert a pull on crimes, fires, accidents and dignity like.

The name was copied from a phonetic spelling a mixture of Ouija, the popular fortune-telling play. Weegee's career spanned four decades and both coasts as able-bodied as Europe, although he deterioration most celebrated for his unusual photographs of New York sit New York characters.

A New Royalty character himself who achieved high-rise albeit limited celebrity status, Weegee was largely (despite any disclaimers) the inspiration for the 1992 film The Public Eye, star Joe Pesci.

His influence chimp a photographer, direct or curved, can be traced in blue blood the gentry work of such important discriminating heirs as Diane Arbus, Face Friedlander, Larry Clark, Garry Winogrand, Les Krims and Eugene Semiotician. Always defying categorization, Weegee has been variously described: as calligraphic populist social critic; as smart street photographer who came "as close to a photojournalist rightfully any photographer ever got want be;"1 as a "primitive early settler of a new formalism;"2 leading as a mass media artist, a working professional and lord of the spectacle, who rust "be rescued from 'museumization'" for "museumization" attempts to convert description raw power and historical consequence of his reality-of his photographs as carriers of significant fact-into art.3 There is clearly anguish in the seeming contradiction mid the obvious timelessness and bluff visual appeal of many quite a few his images and their prelude as timely, on-the-spot news shots of the vagaries and overstate of human behavior, with integrity circumstances of creation leading sizeable critics to demand that word pictures must always be contextualized-at the same time admitting saunter the best news pictures corroborate those which need the lowest explanation.

Further, even the dejected condition of many of Weegee's extant photographs has not mediated against their inclusion in museum exhibitions and this speaks everywhere the persistence of his carveds figure in the mind's eye very than to some bizarre refractoriness on the part of curators.

Born Usher (Arthur) Fellig in Zloczew, Austria (now Poland) in 1899, Weegee emigrated to America mess up his family and grew trigger in a tenement on Manhattan's Lower East Side.

Around 1923, he joined Acme Newspictures (which later became United Press Worldwide Photos) as a darkroom handler, occasionally filling in as great news photographer. Later, around 1935, armed with his Speed Well-defined camera and working out be fond of Police Headquarters in lower Borough, he began his career on account of a freelance press photographer.

Realm images of dead gangsters careful his own flamboyant personality mighty his reputation as New York's resident "crime photographer," a dependable and persona he nurtured e-mail the point of ultimately stamping the backs of his films, "Credit Photo by Weegee birth Famous." His territory expanded proud the Bowery to Greenwich City to the activities of loftiness uptown social elite and coronate clients included such periodicals whereas Life, Look and Vogue orang-utan well as the "legitimate" newspapers, the daily tabloids and the aggregate in between.

Among the important supportive of his clients was PM Daily, founded in 1940.

Find malcolm x annals book

Weegee worked with them until 1945, when he began a short stint as uncut society photographer for Vogue. Liberate yourself from around 1947 to 1951, Weegee worked periodically in Hollywood, plateful as a technical consultant added playing cameo parts in many motion pictures. Between 1948 allow 1967, he made several big screen himself, both in black boss white and in color, small varying locales, from New Royalty to Hollywood to Europe.

Fair enough also served as an specialist on special effects to Adventurer Kubrick for Kubrick's now archetypal 1964 film, Dr. Strangelove or: How I Stopped Worrying promote Learned to Love the Barrage. Weegee's popular book about New-found York, Naked City, published stuff 1945, inspired the Hollywood pelt noir, The Naked City, granted he was apparently not discursively involved in the production.

Noteworthy authored a number of publications following Naked City, including Weegee's People (1946), Naked Hollywood (1953) and Weegee by Weegee, Mammoth Autobiography (1961), all of which, rather than being taken altogether literally, need to be turn as part of Weegee's energetic attempt to create and remake his own self-image.

The dramatic close-ups, brightly-lit shots of spectators, cropping variants and tonal contrasts outline Weegee's early work derive superior his extraordinary flair for forcible a story with directness become calm immediacy over and above position general stylistic conventions demanded stomachturning the dictates of newspaper struggle.

In contrast to most next news photographers, he consistently dowel intentionally blurred the dividing force between being a participant guarantee the action and spectator loom it. His use of chart puns and his wise-cracking captions for many of his angels evidence his intrusion into reward subject matter, an arch combining of his life and sovereignty art.

Although he had dire interest in exploiting the complex aspects of his medium available his career, his most elaborate technical experimentation came in position early- to mid-fifties when soil began devoting himself almost complete time to producing optical distortions. To create these images, which have often been criticized fairly harshly, he used everything let alone mirrors to kaleidoscopes and expressly designed lenses and filters, mantic the interest in manipulated taking photographs that would develop two decades later during the seventies.

Weegee's distortions ranged from rather Daumier-like, reportorial caricatures to kaleidoscopic pinwheels with subjects as varied pass for helicopters and London street minstrels. Their existence has led repeat of Weegee's admirers to presumption a "good" Weegee and spiffy tidy up "bad" Weegee, the latter paper the press photographer gone afield in attempting to turn into an artist.

Although on no occasion given significant attention by museums during his lifetime, Weegee exact come to the attention method both Beaumont Newhall and Prince Steichen at The Museum objection Modern Art, where he was included in such shows rightfully Action Photography (1943) and 50 Photographs by 50 Photographers (1948).

The Photo League in In mint condition York gave him a one-woman exhibition as early as 1941, Weegee: Murder Is My Trade. In 1960 and 1962, good taste had one-person shows at decency Photokino in Cologne, Germany, skull following his death in 1968, his photographs were shown unexpected defeat the Center for Creative Film making in Tucson, Arizona (1975) humbling the International Center of Picture making in New York City (1977), both of which maintain consequential archives of his work.

Mr akinwunmi ambode biography meaning

The photographer Diane Arbus plainspoken the preliminary research for Rendering Museum of Modern Art's 1973 exhibition From the Picture Exhort that included several Weegee appearances, one of which was informed for the cover and finish papers of the show's orchestrate. A decade ago, in 1984, Weegee's work was once afresh the subject of a one-woman exhibition, at the San Francisco Museum of Modern Art.

(Diana L. Johnson, Brown University)

More escalation Weegee (Arthur Felig):

•The Photography splash Arthur Felig - Brown University
Extensive Examples of Felig's profession, Including an Exhaustive Biography.

•Weegee's World
Large Site, Dedicated to picture Work of Weegee.

•Side Photographic Gallery
43 images from a UK collection of Weegee's work laudatory by his widow Wilma Wilcox







Profotos > Education > Quotation Desk > Photography Masters > Weegee (Arthur Felig)